2021年設(shè)計(jì)專業(yè)申請(qǐng)留學(xué)申請(qǐng)書
如果你打算在國外學(xué)習(xí)，很有可能，其中一個(gè)主要的吸引力就是學(xué)習(xí)外語的機(jī)會(huì)。在國外學(xué)習(xí)可以讓你有機(jī)會(huì)完全沉浸在一種新語言中，沒有比學(xué)習(xí)更好的學(xué)習(xí)方法了。這里給大家分享一些2021年設(shè)計(jì)專業(yè)申請(qǐng)留學(xué)申請(qǐng)書，歡迎閱讀!
2021年設(shè)計(jì)專業(yè)申請(qǐng)留學(xué)申請(qǐng)書
Dear _,
Two roads diverged in a wood, and I took the one less traveled by, and that has made all the difference.--Robert Frost--Have you ever taken the road less traveled? When you drive home from work, do you ever explore? Sure, it might take longer than usual, and there may be unpleasant stops along the way, but occasionally you will find an unexpected surprise. By casting aside strict conventions and routines and by taking risks, we can achieve things we never considered or thought possible. I find that many people in our religiously capitalist society only seek the fastest, cheapest, and most efficient route. While some industries hire to increase diversity and thereby innovation, many dare not attempt anything new. In particular, many established architects and developers fear taking chances and fear the risk of failure inherent in untested methods. I, on the other hand, believe that architects must not feel constrained by the past but must follow up on promising possibilities. Exploring undiscovered methods and paths requires self-criticism, self-assurance, and courage.
In my junior year in college, I doubted the teaching style of my instructor in my first design studio class. I felt as if he pushed his own rigid ideas into the students' creations and did not allow the students the opportunity to pursue their own original designs. Fearing my intellectual growth might be stunted by his lectures and dissatisfied with his teaching, I basically taught myself design by researching and combing through hundreds of architecture books. Through my own studies, I came to realize that architecture should be learned, not preached. That semester, I further challenged myself by working on a design of my own creation, a design not as signed by my instructor. While it would have been easier to accept the instructor's lessons and just follow his ideas, I realized that I could never take the easy way again now that I discovered that the beauty of architecture lies in learning it myself. That semester helped formulate my approach towards architecture and influence my design decisions to this day.
Although self-motivation is extremely important, seeking the guidance and critique of others is essential to good design since others can find what I may have overlooked. One critic who has been particularly crucial to the development of my work is Craig Scott, a Progressive Architecture Awards Winner in 1996, who worked together with Homa Fardjadi and Sima Fardjadi. Craig was my studio critic during the spring term of 1997. His instruction helped me achieve a level of design that I could not have attained from books alone. Of greatest importance, he taught me a combination of methodology and theory to the process of creating designs. He taught me to begin with a simple conceptual spatial model, then add site context and programmatic concerns to create an integrated building. The application of a methodology to the design process made my work more structured and rigorous than before. In Craig's studio, I designed a furniture workshop for downtown Ann Arbor that was chosen as an exhibit in the 1997 Summer Student Exhibition in the University of Michigan. Professors chose the most outstanding projects in their studio and put them in the exhibition. Although this was certainly not a major trophy, the exhibition represented my first accomplishment in the studio and was a milestone in my architectural career. When I saw my work in the exhibition room, all the failures and difficulties I had experienced seemed worth it.
Later, I designed urban housing in downtown Ann Arbor for the fall studio 1997, which was also chosen as an exhibit in the 1998 Annual Student Exhibition. For that exhibition, entitled "Taking Aim," each professor chose the best three projects from his/her studio. In the exhibition, the alumni of previous years and students from other architecture schools were invited to share our success. These exhibitions were important to me not only because my designs were chosen, but also because they gave me the opportunity to display my work before the most important critics of all--the general public, which included the students and teachers from different years and different schools. I plan to continue my studies at the graduate school level to have the opportunity to interact and share knowledge with students who are as focused and excited about architecture as I am. I have visited Harvard Graduate School of Design several times, and each time I left impressed and enlightened by the variety and complexity of the students' work. The work I saw at GSD had that same element of innovation and freshness that I strive for, the one that goes beyond the ordinary path. I want to be an explorer and to face challenges that I can solve with sheer will and creativity.
Yours sincerely,
xuexila
澳大利亞留學(xué)住宿費(fèi)用
1、校內(nèi)宿舍
在澳洲其實(shí)大部分的學(xué)校都是有學(xué)生宿舍的，這些宿舍是提供給留學(xué)生或者是離家里比較遠(yuǎn)的學(xué)生，而且在學(xué)校里住是很方便的，離教室也非常近。在設(shè)施上，這些宿舍基本都有家具等等這些，而且安全上也能夠讓學(xué)生放心。在宿舍里住一周大概是在200-500澳幣不等。
2、寄宿家庭
這也是比較多學(xué)生會(huì)選擇的一種住宿方式，很適合那些剛到澳洲，對(duì)于這里不熟悉的，或者是年齡比較小的學(xué)生。在寄宿家庭里住不但能真實(shí)的感受到澳洲的生活方式，也能幫助自己提高語言。所以說這種住宿選擇是很不錯(cuò)的。住在寄宿家庭的話，一般一周是200-300澳幣，而且也會(huì)把學(xué)生的三餐都包括在內(nèi)。
3、校外租房
租房一般有兩種形式，一是去租學(xué)生公寓，而是跟自己的朋友合租，這也是留學(xué)生們比較常見的一種居住方式。自己去租房不但能鍛煉獨(dú)立性，費(fèi)用也沒有那么高，自己還能選風(fēng)格喜歡的房間。
只是和別人一起去租房子還是需要考慮比較多的，比如房東、價(jià)格等等這些都得了解到。對(duì)于其中的居住條例都要了解，這樣自己才好知道該做什么準(zhǔn)備，如果在租房的過程中有什么不公正的對(duì)待，可以找學(xué)校里負(fù)責(zé)住宿事項(xiàng)的校辦公室，與其中的工作人員去溝通，一般學(xué)校會(huì)和社區(qū)相關(guān)的部門來聯(lián)系解決的。
在費(fèi)用上，如果是住單間，一般一周220-300澳幣，雙人的房間大約是300-350澳幣。
澳大利亞留學(xué)安全預(yù)警
一、住宿
學(xué)生如果住校的話在入住之前不需要考慮其他，而如果是自己租房的話，則需要提前對(duì)入住的地方進(jìn)行考察，確認(rèn)周邊沒有隱藏的危險(xiǎn)，以及交通和配置的情況，這樣才可以基本上確認(rèn)入住。
而正式入住之后，住校的學(xué)生由于基本上雙人間，所以要保管好自己的財(cái)物;租房的學(xué)生不管是合租還是自己住，都要記得鎖好門窗，并且檢查水和氣的情況，排除生活中可以會(huì)出現(xiàn)的隱患。
二、出行
乘坐電梯的話，要確認(rèn)附近沒有可疑的人，盡量不要單獨(dú)和陌生人乘坐;坐車即便是公交也要盡量選擇距離司機(jī)比較近的地方，打車的話一定要記下車牌號(hào)并且告知朋友自己的行程。
要盡可能的避免晚上出門尤其是一個(gè)人出門，而且一定要遠(yuǎn)離流浪漢和危險(xiǎn)性比較高的地區(qū)，記清楚自己的居住地址和緊急聯(lián)系的電話，這樣可以方便自己遭遇到危險(xiǎn)之后進(jìn)行求助。
三、求助
如果大家在澳洲生活的之后，遇到了危險(xiǎn)一定要及時(shí)求助，但是不要和壞人進(jìn)行正面的沖突，因?yàn)楹苡锌赡軙?huì)對(duì)自己的人身安全造成威脅，損失錢財(cái)保證安全還是比較值得的。
報(bào)警和急救的電話是000，大家在遭遇危險(xiǎn)可以進(jìn)行緊急的求助，出警的速度還是非?？斓模蠹乙龅木褪潜M可能的記住煩人的特征，方便后續(xù)進(jìn)行追蹤，減少自己的損失。
四、女生須知
在留學(xué)生的群體中，女生遇到危險(xiǎn)的比例是要比男生高得多的，所以去澳洲讀書的女生，需要特別注意自己的安全，在日常的生活和交往中，需要注意的事情要更多一些。
其中最需要關(guān)注的就是性騷擾，來自老師、同學(xué)和陌生人，危險(xiǎn)是會(huì)隱藏在生活中的，所以大家一定要時(shí)刻保持著警惕，在遭遇這樣的事情的時(shí)候，堅(jiān)定拒絕并且求助專業(yè)機(jī)構(gòu)。
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2021年設(shè)計(jì)專業(yè)申請(qǐng)留學(xué)申請(qǐng)書
