經(jīng)典英語閱讀短文及翻譯
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英語閱讀短文翻譯篇一：
We often read in novels how a seemingly respectable person or family has some terrible secret which has been concealed from strangers for years. The English language possesses a vivid saying to describe this sort of situation. The terrible secret is called 'a skeleton in the cup board '. At some dramatic moment in the story the terrible secret becomes known and a reputation is ruined. The reader's hair stands on end when he reads in the final pages of the novel that the heroine, a dear old lady who had always been so kind to everybody, had, in her youth, poisoned every one of her five husbands.
It is all very well for such things to occur in fiction. To varying degrees, we all have secrets which we do not want even our closest friends to learn, but few of us have skeletons in the cupboard. The only person I know who has a skeleton in the cupboard is George Carlton, and he is very proud of the fact. George studied medicine in his youth. Instead of becoming a doctor, however, he became a successful writer of detective stories. I once spent an uncomfortable week-end which I shall never forget at his house. George showed me to the guestroom which, he said, was rarely used. He told me to unpack my things and then come down to dinner. After I had stacked my shirts and underclothes in two empty drawers, I decided to hang in the cupboard one of the two suits I had brought with me. I opened the cupboard door and then stood in front of it petrified. A skeleton was dangling before my eyes. The sudden movement of the door made it sway slightly and it gave me the impression that it was about to leap out at me. Dropping my suit, I dashed downstairs to tell George. This was worse than 'a terrible secret'; this was a real skeleton ! But George was unsympathetic. 'Oh, that,' he said with a smile as if he were talking about an old friend. 'That's Sebastian. You forget that I was a medical student once upon a time.'
在小說中，我們經(jīng)常讀到一個(gè)表面上受人尊重的人物或家庭，卻有著某種多年不為人所知的駭人聽聞的秘密。英語中有一個(gè)生動(dòng)的說法來形容這種情況。驚人的秘密稱作"柜中骷髏"。在小說的某個(gè)戲劇性時(shí)刻，可怕的秘密泄漏出來，接著便是某人的聲譽(yù)掃地。當(dāng)讀者到小說最后幾頁了解到書中女主人公，那位一向待大家很好的可愛的老婦人年輕時(shí)一連毒死了她的5個(gè)丈夫時(shí)，不禁會(huì)毛骨悚然。
這種事發(fā)生在小說中是無可非議的。盡管我們?nèi)巳硕加懈鞣N大小秘密。連最親密的朋友都不愿讓他們知道， 但我們當(dāng)中極少有人有柜中骷髏。我所認(rèn)識(shí)的唯一的在柜中藏骷嶁的人便是喬治.卡爾頓，他甚至引以為自豪。喬治年輕時(shí)學(xué)過醫(yī)，然而，他后來沒當(dāng)上醫(yī)生，卻成了一位成功的偵探小說作家。有一次，我在他家里度周末，過得很不愉快。這事我永遠(yuǎn)不會(huì)忘記。喬治把我領(lǐng)進(jìn)客房，說這間很少使用。他讓我打開行裝后下樓吃飯。我將襯衫、內(nèi)衣放進(jìn)兩個(gè)空抽屜里，然后我想把隨身帶來的兩套西服中的一套掛到大衣柜里去。我打開柜門，站在柜門前一下驚呆了。一具骷髏懸掛在眼前，由于柜門突然打開，它也隨之輕微搖晃起來，讓我覺得它好像馬上要跳出柜門朝我撲過來似的。我扔下西服沖下樓去告訴喬治。這是比"駭人聽聞的秘密"更加驚人的東西，這是一具真正的骷髏啊!但喬治卻無動(dòng)于衷。"噢，是它呀!他笑著說道，儼然在談?wù)撘晃焕吓笥选?quot;那是塞巴斯蒂安。你忘了我以前是學(xué)醫(yī)的了。"
英語閱讀短文翻譯篇二：
People become quite illogical when they try to decide what can be eaten and what cannot be eaten. If you lived in the Mediterranean, for instance, you would consider octopus a great delicacy. You would not be able to understand why some people find it repulsive. On the other hand, your stomach would turn at the idea of frying potatoes in animal fat-- the normally accepted practice in many northern countries. The sad truth is that most of us have been brought up to eat certain foods and we stick to them all our lives.
No creature has received more praise and abuse than the common garden snail. Cooked in wine, snails are a great luxury in various parts of the world. There are countless people who, ever since their early years, have learned to associate snails with food. My friend, Robert, lives in a country where snails are despised. As his flat is in a large town, he has no garden of his own. For years he has been asking me to collect snails from my garden and take them to him. The idea never appealed to me very much, but one day, after a heavy shower, I happened to be walking in my garden when I noticed a huge number of snails taking a stroll on some of my prize plants. Acting on a sudden impulse, I collected several dozen, put them in a paper bag, and took them to Robert. Robert was delighted to see me and equally pleased with my little gift. I left the bag in the
hall and Robert and I went into the living-room where we talked for a couple of hours. I had forgotten all about the snails when Robert suddenly said that I must stay to dinner. Snails would, of course, be the main dish. I did not fancy the idea and I reluctantly followed Robert out of the room. To our dismay, we saw that there were snails everywhere: they had escaped from the paper bag and had taken complete possession of the hall! I have never been able to look at a snail since then.
在決定什么能吃而什么不能吃的時(shí)候，人們往往變得不合情理。比如，如果你住在地中海地區(qū)，你會(huì)把章魚視作是美味佳肴，同時(shí)不能理解為什么有人一見章魚就惡心。另一方面，你一想到動(dòng)物油炸土豆就會(huì)反胃，但這在北方許多國家卻是一種普通的烹任方法。不無遺憾的是， 我們中的大部分人，生來就只吃某幾種食品，而且一輩子都這樣。
沒有一種生物所受到的贊美和厭惡會(huì)超過花園里常見的蝸牛了。蝸牛加酒燒煮后，便成了世界上許多地方的一道珍奇的名菜。有不計(jì)其數(shù)的人們從小就知道蝸?？勺霾?。但我的朋友羅伯特卻住在一個(gè)厭惡蝸牛的國家中。他住在大城市里的一所公寓里，沒有自己的花園。多年來，他一直讓我把我園子里的蝸牛收集起來給他捎去。一開始，他的這一想法沒有引起我多大興趣。后來有一天，一場大雨后，我在花園里漫無目的散步，突然注意到許許多多蝸牛在我的一些心愛的花木上慢悠悠的蠕動(dòng)著。我一時(shí)沖動(dòng)，逮了幾十只，裝進(jìn)一只紙袋里，帶著去找羅伯特。羅伯特見到我很高興，對(duì)我的薄禮也感到滿意。我把紙袋放在門廳里，與羅伯特一起進(jìn)了起居室，在那里聊了好幾個(gè)鐘頭。我把蝸牛的事已忘得一干二凈，羅伯特突然提出一定要我留下來吃晚飯，這才提醒了我。蝸牛當(dāng)然是道主菜。我并不喜歡這個(gè)主意，所以我勉強(qiáng)跟著羅伯特走進(jìn)了起居室。使我們驚愕的是門廳里到處爬滿了蝸牛：它們從紙袋里逃了出來，爬得滿廳都是!從那以后，我再也不能看一眼蝸牛了。
英語閱讀短文翻譯篇三：
Some plays are so successful that they run for years on end. In many ways, this is unfortunate for the poor actors who are required to go on repeating the same lines night after night. One would expect them to know their parts by heart and never have cause to falter. Yet this is not always the case.
A famous actor in a highly successful play was once cast in the role of an aristocrat who had been imprisoned in the Bastille for twenty years. In the last act, a gaoler would always come on to
the stage with a letter which he would hand to the prisoner. Even though the noble was expected to read the letter at each performance, he always insisted that it should be written out in full. One night, the gaoler decided to play a joke on his colleague to find out if, after so many performances, he had managed to learn the contents of the letter by heart. The curtain went up on the final act of the play and revealed the aristocrat sitting alone behind bars in his dark cell. Just then, the gaoler appeared with the precious letter in his hands. He entered the cell and presented the letter to the aristocrat. But the copy he gave him had not been written out in full as usual. It was simply a blank sheet of paper. The gaoler looked on eagerly, anxious to see if his fellow-actor had at last learnt his lines. The noble stared at the blank sheet of paper for a few seconds. Then, squinting his eyes, he said: 'The light is dim. Read the letter to me.' And he promptly handed the sheet of paper to the gaoler. Finding that he could not remember a word of the letter either, the gaoler replied: 'The light is indeed dim, sire. I must get my glasses.' With this, he hurried off the stage. Much to the aristocrat's amusement, the gaoler returned a few moments later with a pair of glasses and the usual copy of the letter which he proceeded to read to the prisoner.
有些劇目十分成功，以致連續(xù)上演好幾年。這樣一來，可憐的演員們可倒霉了。因?yàn)樗麄冃枰灰惯B著一夜地重復(fù)同樣的臺(tái)詞。人們以為，這些演員一定會(huì)把臺(tái)詞背得爛熟，絕不會(huì)臨場結(jié)巴的，但情況卻并不總是這樣。
有一位名演員曾在一出極為成功的劇目中扮演一個(gè)貴族角色，這個(gè)貴族已在巴士底獄被關(guān)押了20年。在最后一幕中，獄卒手持一封信上場，然后將信交給獄中那位貴族。盡管那個(gè)貴族每場戲都得念一遍那封信。但他還是堅(jiān)持要求將信的全文寫在信紙上。
一天晚上，獄卒決定與他的同事開一個(gè)玩笑，看看他反復(fù)演出這么多場之后，是否已將信的內(nèi)容記熟了。大幕拉開，最后一幕戲開演，貴族獨(dú)自一人坐在鐵窗后陰暗的牢房里。這時(shí)獄卒上場，手里拿著那封珍貴的信。獄卒走進(jìn)牢房，將信交給貴族。但這回獄卒給貴族的信沒有像往常那樣把全文寫全，而是一張白紙。獄卒熱切地觀察著，急于想了解他的同事是否記熟了臺(tái)詞。貴族盯著紙看了幾秒鐘，然后，眼珠一轉(zhuǎn)，說道："光線太暗，請(qǐng)給我讀一下這封信。"說完，他一下子把信遞給獄卒。獄卒發(fā)現(xiàn)自己連一個(gè)字也記不住，于是便說："陛下，這兒光線的確太暗了，我得去眼鏡拿來。"他一邊說著，一邊匆匆下臺(tái)。貴族感到非常好笑的是：一會(huì)兒工夫，獄卒重新登臺(tái)，拿來一副眼鏡以及平時(shí)使用的那封信，然后為那囚犯念了起來。
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